I watch the blade, the blade I chose,
and I watch the line, the line in my control,
and it grows.
As blood spills, I release my anger that I had to choose, anger that it chose me,
Or did it?
Uncertainty bites, and I slice again.
I watch the blade, the blade I chose,
and I watch the line, the line in my control,
and it grows.
As blood spills, I release my anger that I had to choose, anger that it chose me,
Or did it?
Uncertainty bites, and I slice again.
I don’t know how she does it, I don’t know how she did.
What choice?
Seven men, and when the question rose, Qui me tiendra ce sein? she said, I will.
She chose.
And like today, my choice laid plain, when I look back, would I make it again?
I don’t know how she did it and I walk towards the knife.
Steel glitters, strange perverted choice.
Cut me! I call. Slice me left and right.
(And all the world watches Angelina Jolie, seeming unscathed.)
And the man, it’s always a man, takes up the knife.
Strange courage, cut that which might be good.
His risk, and mine, partners in violation.
What good could my breasts have done, what harm?
Death and life in his plastic hand.
I don’t know how she did it, each morning as I watch my fingers crawl a little higher up the wall.
Did I make the right choice?
She chose. They never knew what grew inside her.
I’ll never know if I share my sister’s fate (it’s ninety-ten) and still I chose the blade.
What choice had she?
I strip, confident in Larium, in DEET and nets. I light the coil, just in case. Strange pre-bed dance, I arrange the net, but later in the night you announce that I have failed. Your faint hum loudens as you near my ear. I swipe, sleep-stupid, no way to see you. I put on the light. I wait, still. Silence. I listen, then you hum again. Self-betrayed, I know you’re near, but my skin’s too dull to sense your touch. Just sound, faint sound, until a flicker of movement and I see you land on my thigh.
I pause, hand raised, then slowly, slowly move in, eyes closer, hand closer, mustn’t blow you away. And, nearing, I see, strange night intensity, you’ve started to feed from me. You’ve breached my boundaries. Near-sighted, I peer. Caught in the act, you-re magnified, and more as I see your belly swell. I should stop you, little thief, but it’s too late. Instant gone, I’m part of you.
And months later, sweating, aching, I regret my gift, the blood you stole to ensure your dynasty. Generations of mosquitos are there because I gave you part of me.
The string tugged at her fingers, skin pulling. Her eyes stung as she tried to see the kite against the sun, sand hot against the soles of her feet, head filled with the thunder of surfable waves.
He looked different, she thought, as he walked up the beach. Another twenty degrees, no woolly jumper, a tan. But what do you say to someone when you meet in the wrong place?
After he’d left, she couldn’t remember her words, nor his.
He’d been gone three days. At first, she’d cried, then phoned her mother, but at some point she stepped outside herself. She did the same things every time, wailing, twitching with each phone buzz. But that was other her, old her, so she stopped.
Instead, she pulled the house apart. She filled the woodburner with porn, competitive images sent into smoke. She found the first bottle wedged down the side of the sofa, an insult, so barely hidden. She should have known it was there, but she hadn’t known about the bottle in the wardrobe, the case of cheap whisky in the bottom drawer of his desk, another in the shed.
She stood them on the kitchen counter, then on the table when that was full, a few months’ rent in liquid form. She walked back into the lounge. She hadn’t meant to … the house was a mess before but now it looked like it had been ransacked. Would he notice when he came back, if he came back? She couldn’t think about tidying, so she went back to the kitchen and picked up the vodka bottle.
Once she’d started pouring, she had to finish. She watched the swirls as the no-brand whisky twisted down the plug hole. She hesitated over the unopened bottle of red. Her friends had brought it when they came for dinner once, when she had friends, when they had people over for dinner. The corkscrew was too slow, so she smashed the bottle against the side of the sink and watched the splashes run into drips down the wall.
She had to leave the kitchen then, and lay on the sofa, eyes closed. She didn’t think she’d slept, until the front door clicked as he came in, stubble-faced. He stank, he always stank after a bender, but this time it mingled with the smell in the house. Her hands smelt, her shirt was splashed, and she tugged it away from her as she followed him through to the kitchen.
“I’m only trying to help,” she said. “I’m doing my best …” She stopped, hating herself more with each sentence. They were past words. He was staring at the hoard of empty bottles. Alcohol stench filled the room, until she could taste it. There were red splashes everywhere. If she was going to break something, it should have been the vodka bottle.
He swept an arm across the counter. Bottles fell, smashed, and the cupboard handle dug into her back as she flinched away from him. He swung round to the back door. “I’m going out”.
First Voice
‘You’re my beautiful wife,’ you say, as you drive into me again and again.
I close my eyes.
‘It’s so much better for you now,’ you say. No question.
And of course it is, no battle pain. But you don’t understand that I’ve lost.
‘And my son, and his sons, Can you imagine?’
I don’t ask, What if it’s a girl?
The surgeon smiles at his work, my husband beams, expectant.
I fear my growing belly.
They say, ‘You’ll be fine,’ but they won’t tell me the sex.
And in the ninth month, je suis l’appel du vide.
Second Voice
‘You’re still beautiful,’ you say.
I raise my eyebrows, note that you won’t touch the scars, (But nor will I).
‘We still can, I mean, you could just bottlefeed,’ he says.
We discuss it with the counsellor.
Adopt. Donated eggs.
Just get a fucking doll, I scream, then it won’t cry, either.
‘I thought, now it’s all over, why isn’t it better now? You don’t seem happy.’
I stand. I walk away.
‘I stood by you, All through, until … we fell apart. You don’t want me.’
You’re wrong, I say, I don’t want me.
It doesn’t end.
I thought it would, job done, a perfect 36C.
But you didn’t anticipate another cancer within me.
A week in, home, heady on opium, I squat and wait.
It’s normal, just the drugs, you’ll be fine.
We give it time, Not laxatives.
I bargain, internally, negotiate with phantom pain.
If I stop today … Too soon, they say.
I wait.
And still I play a waiting game, until I stop. Pain welcome here.
I wait, I wait.
On the third day, catharsis.
Right now, I rate a good shit over orgasm.
Relief trumps pain.
I wait as, fresh knife each drop, I urinate.
I didn’t know, some lost recall, it was easier back then.
It got worse, the curse they say.
Do you know the smell of week old blood?
I know now, things should emerge more easily than drip by caustic drip.
You want in, modern man, restraining yourself, from cut, slash, rip.
I try again. You come with me, hold my hand, so I can’t run.
I lie there, legs spread. You talk over my head.
‘It’ll all be easier soon.’
Just open me up. I pretend I’m not here. We’ll all be happier when it’s done.
It isn’t how I imagined.
You’re happy, though, and I’ve regained hours each day, weeks each month.
I plot the rest of my life. Day one.
| They held me down,
Blades are cheap, Again and again they cut, And I scream and I scream.
It’s so remote, no turning back. We’re off to see your grandmother, They lied.
And they act like they’re so happy. You’ll be beautiful, they say.
No-one talks about it, we all know.
Sometimes we don’t come back. ‘Why didn’t you just say no?’ he asks. Like I knew, like I had any idea.
It’s easy for you. I spat. You don’t have to. ‘But if my wife, my sister, my daughter …’ He says. What right have you, I say, To try to walk in my shoes?
It’s too late now, you hold me down.
|
I chose to go.
I don’t know how she did it, Alert until she faints.
I shouldn’t have read this, Shouldn’t have thought …
A gory trip through YouTube, I can’t stop.
It’s the not knowing that’s driven me here, Or is it the knowing, Knowing that my mother died?
And if I’d known, and if I know, And if I could see, would I still? And will my girl? What daughter?
My breasts are still untried, Should I wait?
I choose the knife.
|
There’s a price on everything, I find, and it’s not just tins of beans and jars of coffee. I could write about coffee, script dreams of vente lattes, towering foam, sing a macchiato, black/white clash, soul sold for cappuccino, is it fair trade, hold the chocolate, but even the deficiency of own brand instant won’t explain the lack.
There’s a price on everything, you see. Some people have money but no time. You claim time but no money endows you with a different sort of richness. Richnesse, richesse, largesse, how will you share it, spare it? Can time flow over, abundant excess? Can you really give time, donate, donner, Dona? What do you do when neither time nor money mean anything, the money isn’t there, or it is yet it is valueless, and the hours are too long, but are too short to fill the lack?
There’s a value to everything that you don’t see. The value of knowing each of your possessions is there. What do you need? It changes, with time, with person, with the life that you are living, but think. What is the value of knowing that jar of coffee is there, when you don’t want a drink? Take it away, takeaway, small cardboard cup, no longer warm in your hands, and for a moment sit with the lack.
There’s a value that you don’t see. You don’t see. Not seeing, does that mean it’s still there? Is the cup still warm? Am I, are we, are you still valuable? I pour the boiling water, listen, hope, scald fingers again. I pour the boiling water, listen for the bleeps, success. You don’t see, do you? Moments pass as the water runs from metal to clay, energy of heat, of movement, transferred, transported. And if I cannot see it, am I blind, or are you? Sight is priceless, is that not true? Or is it a commonplace, too easy to say, too easy said, falling off your tongue like the water falls later and burns me? I pour, switch on the tap, tap, taps, fixate on the flow, the rush, feel the rush as the water flows, scalding. Listen. Can’t you see? Does the noise of flow fill the lack?
There’s a value, don’t you see? A value that says pass or fail. No six six, no six sixty, now you’re blind. But in blindness, we still see together. What’s blind, and what is partial sight? Classify me. Put me in a box and ignore my discomfort until it hurts you too. Did you see the girl in a box, no arms, no legs. Pure torso. Uncomfortable yet? Stay with me. Come with me, and watch as light transforms, each silhouette a life. The contrast has a certain clarity, life is beautiful when you can’t see the detail. Can you see? Face the sun. What’s glare to you transports me, new world with each change in the weather. It’s the value that you put on clarity, clairity, éclairité, éclaire, and I become lighter and lighter until I float away. Do you feel the lack now?
And where’s the value in the binary, the black and white? I see the silhouette: do you? And the black is no longer black. Tones shimmer, sepia brown and gold spills from the edges as solid men morph, a gentle transformation by that light, by my sight, my lack. My lack transforms men. Tell me, what do you lack? Manques-tu le manque? Manques-tu le manqué? Manques tu les disparues? What has gone? My chest tightens at the thought of loss, and again when it is not lost. I lack nothing in my eyes. Do you perceive, per-see, through-view a lack?
(And in that binary, we missed the white. It’s easy to miss it in the glare, to miss what’s always there. Blank page, chora, womb: that’s red, not white, and if there are no words, how can we read, what is read? White on white, j’écris à l’encre blanche. And if you don’t see that, it’s not my fault. Why should I worry if you don’t realise that something is missing, that you’re missing something, that the lack is yours.)
We’re heading home now. Are you coming home? Home, where there is no lack. Home, without lack. An in a duplicitous leap, we lack the lack. Home lack, home less, and my home diminishes, less and less, homeless, one great semantic leap to the unheimlich. Do you see it now? And can you put a price on it, other homes in this area have sold, sell now, just get in touch. In my house, do you feel the lack, the lack lack? And when it is sold, can you tell me how much it costs, when you have turned my home into cash?
(The difference between 0.4 and 3.5% NaOH)
My pelvis adjusts,
Stones shift,
Press into my feet.
I kick off again.
Molecule rolls over molecule,
Energy transfers,
Move, shift, crash.
Tympanic vibration.
Your waves,
Transport me.
I judder, rebalance, stand,
Feel the salt in my hair,
My mouth.
My eyes sting.
Draw me out,
I should stay.
There’s safety at this edge.
But I let you take me.
And I am in you, not of you,
You don’t need me.
Foreign body, sink or float?
You transform,
I dissolve.